Sean Scully

LANDLINE SKYLINE . 2014

+ Cheim & Read

Begun in 2013, Scully’s Landline series resonates with newfound urgency and freedom. Thick horizontal bands of subtly-layered color provide his compositions with rhythmic pulse, while the interactions between striations of paint bristle with energy.

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Anri Sala

Untitled (Mexico / Surinamische Aale) . 2014

+ Hauser & Wirth

In the series of drawings, 'Untitled (map/species)' reworks maps of countries and geopolitical territories through manual manipulation, skewing and warping representations of land mass so that they fit within the boundaries of the found etchings of biological species with which they are exhibited.

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Fundació Joan Miró

Prophetia



Fundació Joan Miró

Wilfredo Prieto . Ariel Schlesinger

Hiding Wood in Trees . 2014

+ CCA Tel-Aviv

Inspired by one another’s practice, Wilfredo Prieto and Ariel Schlesinger worked collaboratively and independently, sparked by each other’s ideas and playing off one another’s penchant for serendipity and happenstance.

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Jean-Michel Basquiat

The Unknown Notebooks

+ Brooklyn Museum

A self-taught artist with encyclopedic and cross-cultural interests, Basquiat was influenced by comics, advertising, children's sketches, Pop art, hip-hop, politics, and everyday life.

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Didier Faustino

Memories of Tomorrow . 2012

+ FIAC

For his project in the Tuileries Garden, the artist conceived an installation based on Vauban’s barriers, the metal barriers used by the authorities to control crowds. This security tool is transformed to the point of assuming a decorative dimension that is directly inspired by the gardens drawn by Le Nôtre in the 17th century.

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Kai Althoff

Untitled . 2014

+ Michael Werner

Having turned into a heavily opinionated and high-strung personality, which seems to brood with anger that unloads fast, Kai Althoff wishes to create an antidote to this state of mind, by work that aesthetically calms the soul and seeks to feed a notion of shelter in an elegance reflecting the utilization of art in the homes of people with good taste and intellectual brilliance in times long passed.

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Fuego blanco

La colección moderna del Kunstmuseum Basel



+ Museo Reina Sofía

Doris Salcedo

Untitled . 2003

+ Museum of Contemporary Art Chicago

This installation, produced for the 8th International Istanbul Biennial, contained approximately 1,550 wooden chairs stacked between two buildings to address the history of migration and displacement in Istanbul.

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Richard Estes

Columbus Circle Looking North . 2009

+ Museum of Arts and Design

Richard Estes is widely considered to be the pioneer and master of American Photorealism. Beyond the discipline of attaining an uncanny sense of verisimilitude, Estes accomplishes a profound reinvention of the image.

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Jay Chung & Q Takeki Maeda

at Isabella Bortolozzi

+ Isabella Bortolozzi . photos: © Nick Ash

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Imran Qureshi

Blessings Upon the Land of My Love . 2011

photos: © Alfredo Rubio . + Sharjah Art Foundation

Red organic forms highlighted with strokes of white paint gently swarm across the courtyard of Beit Al Serkal. Imran Qureshi applies his training in miniature painting to this large-scale installation, made in response to the architecture.

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Sigalit Landau

Azkelon, 2011

MACBA

Nikita Kadan

Babooshka (Ensuring mausoleum) . 2013

+ Campagne Première

This work is dedicated to the Soviet epoch people, the creators of the most powerful non-capitalistic modernization of the past century, the last mediums of historical consciousness. Senior citizens, dependants, odd people who are barely tolerated on the celebration of parting with the history. Intimidated and dependent, they cast a vote in exchange for food packages and electoral allowances for retiring pension.

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Nina Canell

Brief Syllables / Thin Vowels (Detail) . 2014

+ Moderna Museet

Canell’s works generally consist of materials that are normally used for specific purposes – such as nails, electricity, air, water, chewing gum and sound.

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Maria Lassnig

Du oder Ich (You or Me) . 2005

+ Fundació Antoni Tàpies

Lassnig’s main preoccupation was a relentless selfquestioning, she painted, wrote, drew and filmed... She sees through her body. Untiringly, she repeatedly posed the same questions and depicted the tensions between the inside (of her body, her work) and the outside (what she saw, the way she was seen).

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Angela de la Cruz

Escombros

+ Fundación Luis Seoane

Tanto en Debris como en las demás obras que forman parte de la exposición, se hace evidente la presencia del lenguaje que Angela de la Cruz emplea para profundizar en las relaciones entre pintura y escultura, gracias a la estrecha relación entre el tratamiento de los elementos que componen las piezas y los títulos que las definen, así como en la importancia que la artista concede al uso del color.

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Carol Rama

The Passion According To



MACBA

Merlin James

Location (Corp. Build.) . 2014

+ Sikkema Jenkins & Co

While known for his stress on the history and continuity of painting as a discipline, James has acknowledged in both his art practice and writing the necessity for development and continual reinvention of art forms.

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Richard Serra

Dead Load . 2014

photos: Mike Bruce . + Gagosian Gallery

Large-scale steel sculptures exhibit at The Gagosian Gallery on Britannia Street.

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